{"id":451,"date":"2020-02-24T16:17:34","date_gmt":"2020-02-24T15:17:34","guid":{"rendered":"https:\/\/theothershapesofme.ramdom.net\/?p=451"},"modified":"2020-02-24T16:18:58","modified_gmt":"2020-02-24T15:18:58","slug":"save-the-date-the-other-shapes-of-art-ad-harvard","status":"publish","type":"post","link":"https:\/\/theothershapesofme.ramdom.net\/en\/2020\/02\/24\/save-the-date-the-other-shapes-of-art-ad-harvard\/","title":{"rendered":"SAVE THE DATE &#8211; The Other Shapes of Art at Harvard"},"content":{"rendered":"<p><strong>The Other Shapes of Art<\/strong> is a roundtable to be held at <strong>Harvard University <\/strong>on the<strong> 24th-25th April 2020<\/strong>, hosted by the <em>Film Study Center and Critical Media Practice (CMP) \u2013 Harvard University<\/em>, produced by Ramdom* and it is a fundamental moment of a new ambitious work of art by artist <strong>Emilio Vavarella<\/strong> entitled <strong>rs548049170_1_69869_TT (The Other Shapes of Me)<\/strong>.<\/p>\n\n\n\n<p>This project is one of the winners of\nthe VI edition of <strong>Italian Council\n(2019), <\/strong>program to promote Italian contemporary art in the\nworld by the Directorate-General for Contemporary Creativity of the Italian\nMinistry of Cultural Heritage and Activities and Tourism. The work of art will\nbecome part of the permanent collection of <strong>MAMbo\n\u2013 Museum of Modern Art <\/strong>in Bologna (Italy).<\/p>\n\n\n\n<p>The work of art that represents the\ngenome of the artist will be the result of a performative process and consists\nof three elements: a large <strong>fabric<\/strong>, a\nJacquard <strong>loom<\/strong> and a <strong>video<\/strong> of the production process of the\nfabric. The fabric, which represents the artist\u2019s own genetic code point by\npoint, is made with a 19th century Jacquard loom (the first industrial binary\ntechnology). The final fabric translates visually the genetic code that \u201cgives\nshape\u201d to the artist. <\/p>\n\n\n\n<p>The work begins with a very intimate\napproach in a very specific context, such as Southern Italy and the\nMediterranean area, in order to raise more general issues, such as <strong>the digitalization of DNA and life<\/strong>, the\n<strong>relationship between machines and labor<\/strong>,\nthe <strong>computer<\/strong> as an <strong>engineering<\/strong> <strong>object<\/strong> and the computer as a tool for <strong>craftsmanship<\/strong>, <strong>automation<\/strong>,\n<strong>weaving as a computing technique<\/strong>, t<strong>he female condition<\/strong> in Southern Italy\nand in relation to <strong>computational\ntechnologies.<\/strong><\/p>\n\n\n\n<p>These themes will be explored in a\ncollegial manner and from different vantage points during the roundtable at\nHarvard, bringing together artists, curators, researchers and thinkers from\ndifferent contexts and countries.<\/p>\n\n\n\n<p>This will be a fundamental moment in\nthe project&#8217;s development. <\/p>\n\n\n\n<p>Guests and speakers will include:<\/p>\n\n\n\n<p><strong>Julie Mallozzi<\/strong>, Administrative Director of The Film Study Center,\nHarvard (USA)<\/p>\n\n\n\n<p><strong>Emilio Vavarella<\/strong>, Artist and Researcher, PhD candidate,&nbsp;<em>Film\nand Visual Studies + Critical Media Practice<\/em>, Teaching Fellow, Harvard University (Italy, USA)<\/p>\n\n\n\n<p><strong>Paolo\nMele<\/strong>, Director of Ramdom,\nGagliano del Capo (Italy)<\/p>\n\n\n\n<p><strong>Claudio Zecchi<\/strong>, Curator of Ramdom, Gagliano del Capo (Italy)<\/p>\n\n\n\n<p><strong>Lorenzo\nBalbi<\/strong>, Director of MAMbo &#8211;\nMuseum of Modern Art, Bologna (Italy)<\/p>\n\n\n\n<p><strong>Davide\nQuadrio<\/strong>, Director of\nArthub Asia and curator at Aurora Museum, Shanghai (China)<\/p>\n\n\n\n<p><strong>Ellen\nHarlizius-Kl\u00fcck<\/strong>, ERC Grant PENELOPE, Research Institute for the History of Technology\nand Science, Deutsches Museum, M\u00fcnchen (Germany)<\/p>\n\n\n\n<p><strong>Federico\nCampagna<\/strong>,\nPhilosopher and writer, Ph.D. candidate at the Royal College of Art (London)\nand head of rights at Verso Books (Italy)<\/p>\n\n\n\n<p><strong>Ursula Wolz<\/strong>, Lecturer and Ph.D.\nstudies Educational Informatics at Eugene Lang College, The New School (USA)<\/p>\n\n\n\n<p><strong>Stephen Monteiro<\/strong>, Assistant Professor of Communication Studies\nat Concordia University (Canada)<\/p>\n\n\n\n<p><strong>Sabine\nHimmelsbach<\/strong>, Director of the HeK &#8211; House of Electronic Arts, Basel (Switzerland)<\/p>\n\n\n\n<p><strong>George\nChurch<\/strong>, Professor\nof genetics at Harvard Medical School, Founding Member of the Wyss Institute, Director\nof&nbsp;<a href=\"http:\/\/PersonalGenomes.org\">PersonalGenomes.org<\/a> &#8211; world\u2019s\nonly open-access information on human genomic, environmental, and trait data\n(USA)<\/p>","protected":false},"excerpt":{"rendered":"<p>The Other Shapes of Art is a roundtable to be held at Harvard University on the 24th-25th April 2020, hosted by the Film Study Center and Critical Media Practice (CMP) \u2013 Harvard University, produced by Ramdom* and it is a fundamental moment of a new ambitious work of art by artist Emilio Vavarella entitled rs548049170_1_69869_TT &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/theothershapesofme.ramdom.net\/en\/2020\/02\/24\/save-the-date-the-other-shapes-of-art-ad-harvard\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;SAVE THE DATE &#8211; The Other Shapes of Art at Harvard&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[1],"tags":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/posts\/451"}],"collection":[{"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/comments?post=451"}],"version-history":[{"count":2,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/posts\/451\/revisions"}],"predecessor-version":[{"id":454,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/posts\/451\/revisions\/454"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/media\/453"}],"wp:attachment":[{"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/media?parent=451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/categories?post=451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/tags?post=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}