{"id":514,"date":"2020-03-31T12:04:09","date_gmt":"2020-03-31T10:04:09","guid":{"rendered":"https:\/\/theothershapesofme.ramdom.net\/?p=514"},"modified":"2020-03-31T12:04:12","modified_gmt":"2020-03-31T10:04:12","slug":"la-creazione-di-codici-come-design-generativo-anticipazione-dellintervento-di-ursula-wolz-per-il-progetto-rs548049170_1_69869_tt-the-other-shapes-of-me","status":"publish","type":"post","link":"https:\/\/theothershapesofme.ramdom.net\/en\/2020\/03\/31\/la-creazione-di-codici-come-design-generativo-anticipazione-dellintervento-di-ursula-wolz-per-il-progetto-rs548049170_1_69869_tt-the-other-shapes-of-me\/","title":{"rendered":"Code Crafting as Generative Design. | Introducing Ursula Wolz\u2019s contribution for rs548049170_1_69869_TT (The Other Shapes of Me)"},"content":{"rendered":"

Code crafting is an initiative to explore how textile crafting and art influenced the development of computer coding, software engineering, and computational thinking.\u00a0 As the computer science community moves to create more diverse participation, the code crafting methodology audaciously proposes that crafters, who are primarily women, have a rich culture of coding that goes back millennia.\u00a0 Patchwork designers created algorithms for pattern generation and analysis in a Cartesian plane long before digital graphics were invented. <\/p>\n\n\n\n

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Code crafting is an initiative to explore how textile crafting and art influenced the development of computer coding, software engineering, and computational thinking.\u00a0 As the computer science community moves to create more diverse participation, the code crafting methodology audaciously proposes that crafters, who are primarily women, have a rich culture of coding that goes back … <\/p>\n

Continue reading “Code Crafting as Generative Design. | Introducing Ursula Wolz\u2019s contribution for rs548049170_1_69869_TT (The Other Shapes of Me)”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[1],"tags":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/posts\/514"}],"collection":[{"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/comments?post=514"}],"version-history":[{"count":2,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/posts\/514\/revisions"}],"predecessor-version":[{"id":517,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/posts\/514\/revisions\/517"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/media\/515"}],"wp:attachment":[{"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/media?parent=514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/categories?post=514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theothershapesofme.ramdom.net\/en\/wp-json\/wp\/v2\/tags?post=514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}