[…] And so the final fabric is no longer just the result of a technological process that comes from afar, but of a set of small gestures full of emotion, of small uncertainties, of which Marinella, in a slow performative act, becomes the bearer.<\/p>\n\n\n\n
The machine, <<hostile\npower>>, and the man – or better, the woman – put themselves in a\ncondition of dialectical exchange; they dialogue producing those little slips\nnecessary to maintain an emotional tension because from the machine, as Carmelo\nBene would have said, one never escapes and so what was initially a process\ndetermined by binary choices becomes again an analogical process and vice\nversa. Better still, a reversible process: the DNA has in fact been coded in\nsuch a way that it is technically possible to decrypt the tissue, which\ncontains the entire genetic code of the artist, and one day return to the DNA\nitself.<\/p>\n\n\n\n
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[…] And so the final fabric is no longer just the result of a technological process that comes from afar, but of a set of small gestures full of emotion, of small uncertainties, of which Marinella, in a slow performative act, becomes the bearer. The machine, <<hostile power>>, and the man – or better, the … <\/p>\n